Le Système G - L'intonation juste enfin trouvée ! - Positions et expressivité

G System - The right theory of natural intervals, at last! - Positions and expressivity

Il Sistema G - La giusta teoria degli intervalli naturali, finalmente! - Pozizioni ed espressività

As a sound illustration and computer assisted demonstration of the sound basis
of the G SYSTEM and just intonation

 

 List of coded pieces of Oriental music

that you can:

• listen to directly on the player, after having downloaded the  “SystemG-oriental” file in the section “The G System Player“;
• listen to as an .mp3 by clicking on the DOWNLOADABLE titres below:

Dear Reader, please be indulgent for the synthetic sounds produced

and the lack of nuance:

ONLY JUDGE THE ACCURACY 

>>> To see the intervals of the different scales, go to “Marking of Arabic and Byzantine tonalities

 

Arabic and byzantine tonalities :

 

Arabic music :

Maronite chants:

Arabic Byzantine chants:

anaphor 1st tone PA 1 (bayat 1) —- bayat 2 (N. GEDEON) – PDF

anaphor 2nd tone DHEE 1 —- 2nd tone DHEE 2 (N. GEDEON) – PDF

anaphor 3rd tone GHA (F major) (N. GEDEON) – PDF

anaphor 4th tone VOO 1 —- 4e ton VOU 2 (N. GEDEON) – PDF

anaphor 5th tone PA nahawand 1 D mineur (3 V) (N. GEDEON) –PDFPDF musique

anaphor 5th tone PA nahawand 1 D minor – first voice

anaphor 5th tone PA nahawand 1 D minor – second voice

anaphor 5th tone PA nahawand 1 D minor – third voice

anaphor 6th tone PA hijazkar 1hijazkar 2 (N. GEDEON) – PDF

anaphor 7th tone ZO iraq 1 (N. GEDEON) – PDF

anaphor 8th tone NEE C major (N. GEDEON) – PDF

awwah kayfa 6th tone PA hijazkar 1 —- hijazkar 2 (M. EL MORR)

axion 1st tone PA bayat 1 —- bayat 2 (N. GEDEON) – PDF

axion 2nd tone DHEE 1 —- 2nd tone DHEE 2 (N. GEDEON) – PDF

axion 3rd tone GHA F major (N. GEDEON) – PDF

axion 4th tone VOO sikah 1 —- sikah 2 (N. GEDEON) – PDF

axion 5th tone KAY bayat 2 (N. GEDEON) – PDF

axion 5th tone PA nahawand 1 D minor (N. GEDEON) – PDF

axion 6th tone PA hijazkar 1 —- hijazkar 2 (N. GEDEON) – PDF

axion 7th tone ZO irak 1 —- irak 2 (N. GEDEON) – PDF

axion 8th tone NEE C major lent (N. GEDEON) – PDF

axion 8th tone NEE C  major quick (N. GEDEON) – PDF

axion 8th tone NEE rast 1 slow —- rast 2  (N. GEDEON) – PDF

axion 8th tone NEE rast 1 quick —- rast 2  (N. GEDEON) – PDF

cheroubikon 1st tone PA bayat 1 —- bayat 2  (N. GEDEON) – PDF

cheroubikon 2nd tone DHEE 1 —- 2nd tone DHEE 2 (N. GEDEON) – PDF

cheroubikon 3rd tone GHA (F major) (N. GEDEON) – PDF

cheroubikon 4th tone VOO 1 —- 4th tone VOO 2 (N. GEDEON) – PDF

cheroubikon 5th tone PA nahawand 1 D minor (N. GEDEON) – PDF

cheroubikon 6th tone PA hijazkar 1 —- hijazkar 2 (N. GEDEON) – PDF

cheroubikon 7th tone ZO iraq 1 (N. GEDEON) – PDF

cheroubikon 8th tone NEE C major (N. GEDEON) – PDF

inna moussal 2adheem 6th tone PA hijazkar 1 —- hijazkar 2  (A. MOAIKEL)

iqbalnil yawm 5th tone PA nahawand 1 D minor (N. GEDEON) – PDF

polychronion 5th tone PA nahawand 1 D minor —- nahawand 2 (N. GEDEON) – PDF

ya kalimata 8th tone NEE C major (N. GEDEON) – PDF

ya rab irham 8th tone NEE C major (N. GEDEON) – PDF

ya rabbi innal mar’ata 8th tone NEE rast 2 + PYTH (M. EL MORR)

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